“The TEAM are theatrical excavators of American culture, American dreams and the American psyche, understanding the intimate connection between past and present, celluloid and reality… it is alive with ghosts, fractured, full of the winds of change, half-remembered dreams. It is tender, elegiac and tough.”
-The Guardian, London
“How stimulating to wake up in 2009 in the hands of a present-tense theatercompany who knows what it’s doing…[Architecting] considers, with a refreshing lack of judgment, just what allows people to survive catastrophe, acquiring a poignancy and humanity and quietly summoning entire lives of everyday loss…In the musical moments, characters of shifting identities seem, however briefly, secure. Their voices are their own, and they fleetingly rise above the chaos of life on earth in a ritual that transcends time.”
-Ben Brantley, The New York Times
“Enthralling and infuriating, funny and tragic, intelligent and downright lunatic – it is impossible to have a simple response to this extraordinary production… One leaves the theatre thrilled by a company so determined to push the boundaries of theatrical possibility.”
“We are constantly told that theatre is the medium of the present tense, but this company refines that notion with terrific insight and flair. What emerges in this marvelous show underlines how sharply TEAM understand that theatre is like a magnified version of the eye of the needle through which this complex weave of consciousness is threaded. And they demonstrate this wisdom in the wit, verve and pained insight with which they bring past, present, and future in a glorious mélange of jumble and judicious ordering onto the stage at the same time…Visionary in concept and execution, this show reminds you of Tony (Angels in America) Kushner and sometimes of Robert (The Dragons’ Trilogy) Lepage.”
-The Independent, London
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TEAM stands for Theater of the Emerging American Moment. Using a company-created collage of media, texts, original writing, song and movement, the TEAM explores, sends up and celebrates the American experience. The company doesn’t bash; it pokes and explores. In “Architecting” it pokes at race and reconstruction, legacy and loss.
—Gwen Orel, The New York Times, January 7, 2009, full article
Architecting is layered, onion skin-like, with literary and political references to Margaret Mitchell’s epic novel Gone With the Wind and therefore to the American Civil War and the period of Reconstruction that followed the conflict. It explores themes of nation building and feminism, as well as introducing characters such as a contemporary anarchist architect and a Presidential grandchild.
—Jackie McGlone, The Scotsman, July 31, 2008, full article