The press is percolating with excitement for the announcement of BAM’s “experimental fall programing”, including The TEAM’s “Reconstructing (Still Working But the Devil Might be Inside).” Read more at the
We’re thrilled to announce that our Greek Myth Podcast, Live from Mount Olympus is returning for a second season on April 19. Read more about it here.
“Between the rivalries and the affairs, it’s everything tweens catch between the morning bell and sixth period, with the added bonus of fantastical landscapes and magical happenings. But there is
We are delighted by the write-ups that our Petri Project, Quince received. It was a delight to work with Camilo Quiroz-Vazquez and Ellpetha Tsivicos on their work and exploring the
It’s been a moment since we last performed our hit-musical Mission Drift. However, we were thrilled to see that The Guardian named it one of the 50 best theatre shows
Strong and thoughtful… (ensemble and music) combine to create an ambiance, a taste of and for Scotland and Scottishness that likely to be matched only by Forfar bridies, meat pies
“…the conviction in the voices could not have been louder or clearer.” New York Times “Behind the Scenes of Primer for a Failed Superpower” The Interval “For Teen Activists, What
“A fierce poetic snapshot of two contemporary cultures linked by history.” “The three distinctive actors [are] perfectly matched, giving tough, intelligent performances, masking an inner warmth behind their deadpan wit.”
“Strange, charming and highly likable…a straight-ahead, full-tilt voyage through man- (and woman-) hood.” “Weirdly brilliant…surprisingly emotional…wildly entertaining.” PLUS: A limited number of seats and standing room have been released for
The London Premiere of RoosevElvis at The Royal Court has opened, and the reviews–both in the press and the commons of Twitter–are in! “An exhilaratingly bumpy ride into the myth-making
Described as a “hunk-a-hunk-a burnin’ waste,” RoosevElvis makes an unexpected appearance as #26 on Senator Tom Coburn’s annual Wastebook.
Clearly, this means we’ve arrived.
“RoosevElvis is far too empathetic a play to lend itself to cold deconstruction…[It’s] the company’s most intimate work that I’ve seen, and also its warmest…a lot fresher than most new