It’s been a moment since we last performed our hit-musical Mission Drift. However, we were thrilled to see that The Guardian named it one of the 50 best theatre shows in the 21st century. Check it out (and the other works that made the list) here.
In June 2013, the TEAM took Mission Drift across the pond to The Shed, the National Theatre’s temporary theatrical space on the South Bank in London, where it was met with great enthusiasm and positive reviews. Check out what the London press had to say about Mission Drift and the TEAM:
“A theatrical tornado, and a sideways glimpse into America’s tarnished, weary soul.”
“American capitalism really is a mindfuck of a subject, and if you’re going to attempt to address its entire history in a couple of hours then you really need a mindfuck of a play…Mission Drift is a whirlwind of song and sound and surreal vignettes that conveys the dizzying mania of America’s rise with an energy that’s part sickening, part exhilarating.”
“Intelligent or indulgent, bold or bewildering? It’s probably all of them at times. The dizzying theatrical bravura of the piece, however, keeps you fascinated and on edge throughout.”
“Mission Drift gets under the skin of American capitalism, while dazzling with its expansive ambition. With this pulsing piece the TEAM has given the capital its most politically potent musical since London Road.”
During the final week of the Mission Drift run in New York City, Heather Christian and I went over to the NPR Studios. We were both extremely excited, but Heather can testify to the fact that my face almost shattered I was so giddy. With eyes wide we followed Margot Adler as she gave us a tour of the studio. Almost everyone was out to lunch, but it didn’t matter. I saw the desk of Robert Krulwich. And we even waved at Zoe Chace and Chana Joffe-Walt from Planet Money.
We sat down with Margot and discussed the work, which she’d seen previously.
CLICK HERE to listen to the awesome story that she put together.
Here we are, a little past the halfway point of our 4-week NYC run. If you haven’t seen the show yet, or are wondering what your opinion of the show should be, here’s a roundup of some of the things that have been written about Mission Drift so far in the New York City press:
Of all of the art inspired by the global economic crisis, perhaps none is as lusty and energetic as Mission Drift, the new musical by New York theater company the TEAM.
Mission Drift…succeeds in staging a staggeringly ambitious saga. The liveliest lesson on desire, destruction, and economics that you’ll see in many a year.
There’s a lot about the company’s new project to take heedless, heady pleasure in… Pleasures aplenty.
The New York Times
Mission Drift examines heady concepts without ever losing its heart. Thanks to strong writing and powerful performances, the TEAM never forgets to have empathy for their subjects… Mission Driftcaptures the zeitgeist while daring to suggest hope for the future.
An example of a theatre company at their most muscular, tackling what theatre should be tackling… to the hauntingly remarkable musical atmosphere of Heather Christian.
Exactly what I want the theatre to do to me: take me someplace I don’t know how to get to on my own.
Mission Drift made the roundup of TONY’s suggestions for not-to-be-missed theatre shows this winter–right up there with Phillip Seymour Hoffman as Willie Loman and Kevin Spacey as Richard III. We’ll take it.
One of New York’s premier troupes… The TEAM presents it’s latest theatrical brainstorm.
“This is the perfect moment to welcome back to Edinburgh the young TEAM company of New York, with their mighty new show Mission Drift… brilliantly sustained by this whole eight-strong company of performers and creators, and cheered to the echo by an audience who know that America’s physical frontier has gone, but who can recognise the thrilling frontier of 21st-century theatre when they see it.”
“There is more than a touch of The Wizard of Oz in a show that has a magpie eye for bright and shiny cultural references, an ebullient sense of fun and a broken heart… The company fulfil all their much-hyped promise in this gorgeous, gaudy musical.”
“Setting the whole enterprise to bluesy, gospel-tipped song, led by showgirl and beauty queen Miss Atomic, the razzlin’, dazzlin’, manipulative spirit of Las Vegas, the company finally achieve the huge, soaring size of their ambitions. The (collectively-done) writing is crisply poetic, and each performance sharp, focused and beautiful.”