RoosevElvis

“RoosevElvis is far too empathetic a play to lend itself to cold deconstruction…[It’s] the company’s most intimate work that I’ve seen, and also its warmest…a lot fresher than most new plays you’ll see this season.“

“…researched to the teeth, [RoosevElvis] offers a spirited and insightful commentary on two archetypes of American masculinity, while finding teasing ambiguities within both that suggest that machismo is a shaky existential choice.”

– Ben Brantley, New York Times

“..More buoyant than theatrical material has any right to be…RoosevElvis‘s velocity sweeps us into gorgeous, buoyant nonsense without our noticing…The audience laughs—not with recognition or self-satisfaction, but with the purest kind of astonished delight.”

“This glorious show is strong precisely because it focuses, at long last, on individuals. It fully, totally revels in King’s gravelly, bourbon-soaked tones; it exploits to the last degree Sieh’s titanic comic gifts…Some astonishing scenes, several the best I’ve seen this year, are the result.”

– Helen Shaw, Time Out New York

“a stirring, absurd, and grandly human historical-cosplay road-trip fantasia…a big-hearted and affecting examination of that most American of faculties: imagining yourself as bigger, grander, and more, no matter how little you might be.”

– Village Voice

“The most awesome buddy comedy in American history…in typical TEAM fashion, it explores so much more, from the limits of hero worship to the impossible standards of masculinity in America, and all with thrilling athleticism and unfailing intelligence.”

– Theatermania

“Command performance[s] by King and Sieh who carry the whole production by weaving in and out of their characters and counter-characters seamlessly…[they] deftly spar across the stage through historically biographical reflections and witty one liners.”

– Grace Moon, velvetparkmedia

Photo by Sue Kessler.