Special Visitors OR Pastries with the Minister
This Saturday we jumpstarted our rehearsal process for the newest version of ARCHITECTING, which will make it’s US premiere in NYC this January.
There were two special purposes to this rehearsal ( we start up full time towards the end of November ) : to read the newest script version out loud, and to have a visit from Minister Linda Fabiani – a member of Scottish Parliament and Minister for Europe, External Affairs and Culture.
Rehearsal took place at Montgomery Gardens, our shared rehearsal/storage/office space. It’s a wonderful share with brilliant artists and we like to refer to it as “the office” because it makes us feel very official. There is a coffee maker and everything. There is also half a naked mannequin and bunches of fake flowers and a wall painted with bricks. It is located in Crown Heights, Brooklyn, where many of us live. I dare guess that it is as far into Brooklyn as most visiting international politicians have ever ventured ( though what do I know ).
Minister Fabiani arrived with colleagues, including some who work for The National Theatre of Scotland. We had doughnuts set out, and apple pie, strawberries, coffee and even tea. I should stop blogging about the TEAM’s bad eating habits before we have to stop eating nachos AND doughnuts. We also eat a lot of spinach, I swear.
Our guests were very well dressed, and totally game to hang out with us in our little basement space. After explaining a bit about the show ( which only some had seen in Edinburgh ), and the characters we played in it, we jumped right into it. By it, I mean we improvised. I mean we jammed. I mean we labbed. I mean we warmed up.
What do I mean?
The TEAM has built something all our own, which we have yet to decide on a formal name for. The dorkiest but most descriptive to me is “jamming”, as if we were musicians with instruments. As they tell you over and over again in drama school, our bodies and voices are our instruments. We jam together improvising scenelets and dance moves – sometimes silently and sometimes vocally. Sometimes it is very abstract, and sometimes linear and realistic. We follow the outlines of Viewpoints subconsciously. Most of the time our jams are a collaboration with at least one of our designers.
We’re starting to build what we are calling the Overture at the beginning of ARCHITECTING. It will be an overture not only of sound, but of theme, flavor and time. So, after months of not formally seeing each other in rehearsal on our feet, we got up in front of these important and generous folk and played pretend.
We were tumbleweeds swimming, and pageant contestants, patriots and horses. It felt brilliant and exciting and a productive way to start work on the beginning. Afterwards, we chatted with our visitors about what they had seen, and it was wonderful to hear that it had been exciting to watch. Minister Fabiani was so articulate and interested, and gave us the most lovely compliment to the tune of ( paraphrased ) “I felt like I was in Eastern Europe”. This was a huge compliment to us, and Rachel talked beautifully about our relationship with the National Theatre of Scotland as a “miracle”, and our experience with cultural diplomacy. I request her to repeat her thoughts on this cultural diplomacy here on our blog – my paraphrase would not be nearly as good.
I felt a glow of importance around what we are doing, and the relationships we have made, especially in the UK. I’ve learned so much simply by getting to spend hunks of time in another country and having incredible conversations about art and politics with its residents. It was such an honor to have Minister Fabiani join us for a morning, and I thank her for her interest and intelligence. The visit motivated me to keep on with what we have started, which is no small feat as we all grow older and yearn for health insurance and steady income. As Jess put it, ” I have faith that this is important enough that it will all work out “.