From us in Edinburgh!
So today is the big TECH day. Our first year in Edinburgh we got exactly 4 hours to tech a C Venues, including our get-in… Read More »From us in Edinburgh!
So today is the big TECH day. Our first year in Edinburgh we got exactly 4 hours to tech a C Venues, including our get-in… Read More »From us in Edinburgh!
Check out the TEAM’s first feature of the 2008 Edinburgh Fringe: a beautiful interview between Artistic Director Rachel Chavkin, Performer Frank Boyd, and Associate Director Davey Anderson.
Fringe favourites The TEAM return to Edinburgh with a reimagining of Margaret Mitchell’s iconic Southern drama. Kirstin Innes caught up with them to discuss everything from Barack Obama to Scarlett O’Hara.
Picture the scene. A run-down little bar in post-Katrina New Orleans. Just like every night, the usual drunks and barflies hanging around: a passionate Southern nationalist; a faded beauty queen; a bitter Hollywood screenwriter; Henry Adams, the 19th century political thinker and historian; Margaret Mitchell, author of Gone with the Wind. Oh, and two venture capitalists called Rhett Butler and Scarlett O’Hara, making a fast buck off the rebuilding of a city . . .
So far, Tech rehearsals have been going very well. Things are really coming together. The ensemble we’ve built over the past days, months, and years… Read More »Tech Rehearsals at The Fringe
Architecting is layered, onion skin-like, with literary and political references to Margaret Mitchell’s epic novel Gone With the Wind and therefore to the American Civil… Read More »“Architecting: Meet the A-team”
For anyone who has had it up to their Fox-scarred eyeballs with faith-based politics…Director Rachel Chavkin has a prescription…Particularly in the Heartland wants you to… Read More »“Particularly in the Heartland” Reviewed in Time Out New York
Explosive youthful energy…sheer intelligence…sense of history…radical theatrical vision…the TEAM are not afraid to invoke the values and ideas that make the liberal dream of America… Read More »“Americans at the festival explore their government’s role in fueling the fires of conflict … both at home and abroad”